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Sunday, August 26, 2018

Small Update on the Public Domain Book Project

I'm around two-thirds of the way done adapting the book I've been dealing with lately, adapting it to a comics format from its prosaic origins. It currently stands at twenty-one pages so far, including the small segment of the last section that is yet to be adapted. My estimates of it reaching thirty-one to thirty-three pages long is still true and strong. This is only with the first chapter though, I don't particularly plan on drawing the rest of the book as I think of this project as more of an exercise in how well I can adapt things from one medium to another and honing my storytelling abilities as an illustrator within the Comics-bande-dessine, or the Ninth Art as it is sometimes called, tradition of the Fine Arts.

An interesting thing to note is how my paneling style has changed with my adoption of a new technique*. There was a constant appearance of these styles of comics paneling, in part or in whole:

  
2X3
3X3
There was also a significant presence of a Howard Chaykin-esque panel style, I could not find any passable examples online so this sketch by myself must do to make the point.

It's a mix between the 3X3 and 2X3 panel styles in the number of panels per row, the rows themselves coming closer to the 2X2 panel style. One of my favorites was the mix of the 2X2 + one row from the 3X3, becoming much like what you see just above this paragraph but with another set of the two panels.

Intersped in all this I also have those little panels within panels that Mike Mignola and Howard Chaykin use so well and interestingly.

It's just interesting to see this constant pattern appearing in the thumbnails of the comics adaptation.

*Said technique being similar to Chester Brown's technique. I would draw each individual panel as its own entity before arranging them in pages, but my own technique is different from Brown's in that I still punctuate things by beats and significant events that I feel could mark the end of a page/ the start of a new page. Chester Brown, from what I know, just draws each panel as he writes and only arranges them into pages once done drawing them all.

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