A Look towards Texturing

A need to hone my ability to draw backgrounds again had come over me. After a good synthesis, or the return to my previous skill with regard to that, of the figures on the page and the backgrounds, I plan to return to my perspective studies. It's sad... at one point in time I was fairly decent with one-point perspective, mediocre with two-point perspective, and have tried attempts at three-point perspective with a small amount of success. Ach well... I'll eventually return to that point. For now... I hone what I can do now.

Sketches coming now:

A cropped version of the full drawing below. I think it works well enough... if with too much usage of black. Ah... such is my recent pouring over of Mignola and his inky darkness that he is known for.

The full drawing.

Some wood texture studies. Close-ups below.

Some Things I've Been up to Lately a.k.a Other projects

The Chronicles of the Late Great Timothy Dexter, Felosofer Extraordinaire! or A Few Pickles More for the Knowing and now Seeing Ones (Tentative Title) with myself as artist and writer both

One day, in one of my frequent (or daily to be honest with myself) excursions into the wild world of the internet, I came across this glorious man. I want to draw this man's life, at least as far as I am able to based on the various documents I've already found on him the primary evidences of life in that late 18th century and early 19th century America period Lord Timothy Dexter lived.

The Great Lord and Felosofer himself.

Why do I want to do this? I can't say why. All I know is that I must do it, even if it takes some time. It shall happen.

Some of the sketches and the like that I've made so far.

To be true, I have other projects where I'm the writer or the scripter, assuming I'm adapting a work into a comic, and the artist both but these two projects are the ones that I have had the most recent progress in. One of them even has a first draft of the script done already. Soon. Soon.

References:
https://pbs.twimg.com/profile_images/1324303464/Timothy_Dexter_400x400.jpg

A Growing Capability in my Figure Exercises and Inking Blues

Not what I'm actually using but it's a good enough facsimile,
I should think.

Good news,

I've found a new play thing to make art with. Not really new, to be true, but new it's new in that I see them with a new light. A light of excitement and desire that I had not seen in a long time in dealing with art materials. I'm speaking of... brushes. Simple ass brushes. Chinese brushes, to be exact. The kind that isn't like our beloved Pentel Pocket Brush Pens, nor our Kolinsky or Sables that cost a good deal, at least in comparison to some Chinese brushes (so you get what I'm talking about, a PPBP or good sables costs around $16 for the most part online in American stores and $20-25 in local stores, online and retail, in the Philippines WHILE Chinese brushes can go for as low as $0.25...).

 This is where the BAD news comes in. I've been wasting my time with these beautiful brushes, very good brushes. None offer the interplay of sensitivity, price, and sharpness that I seek, that was until I (re)found my Chinese brushes.

Bored and stuck in my room due to heavy rains, I took up my old bottles of ink and just played around with them for a few hours. Oh those brushes were wonderful after some frustration with my pen nibs which refused to work. The brushes were consistently offering what I've long
been searching for while making do well enough with my usual kit of Pentel Pocket Brush Pen, Pentel Waterbrush (with its bristles swapped out for the Kuretake Waterbrush bristles and filled with a concentrated form of Higgins Carbon Black), Da Vinci Maestro, and my Staedtler Pigment Liner.

With these Chinese brushes I can also lay claim to the idea that I'm following in the footsteps of the legendary Philippine artists like Nestor Redondo, Alfredo Alcala, and the like who too used a Chinese-style brush in their own renowned illustrations and comics work. Ah... one day I'll draw like them. One day....

Note the Chinese brush in the hands of the great Redondo.

Some of the drawings that I've sketched lately and then inked. They came about from my usual morning figure drawing exercises which started to show their returns, at least according to some people in the art and comics discords that I hang out in sometimes.

So that you, the hypothetical reader, might have at least some kind of a comparison, these are purely graphite and figure drawing, no inking.

I really like these ones for some reason. It's probably because I really feel the Mignola in these sketches.

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The PPBP+Waterbrush with ink sketches

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Chinese brush inks

Credits to Line of Action and Quickposes for the reservoir of images that these were sketched from.

I'm still new to the entire field of Chinese brush-constrained inking. Might be awhile to get used to but I should think it'd be worth it.

That's all for now. Thanks for reading, whoever you might be.

Sources:
https://img-new.cgtrader.com/items/186591/6d5cde7b3d/chinese-calligraphy-brush-pen-3d-model-max-obj-fbx-c4d-ma-mb.jpg

https://static2.jetpens.com/images/a/000/106/106220.jpg?mark64=aHR0cDovL3d3dy5qZXRwZW5zLmNvbS9pbWFnZXMvYXNzZXRzL3dhdGVybWFyay5wbmc&markalign64=dG9wLHJpZ2h0&markscale=19&q=90&s=3942bfcd93e57a6fd5ed35393e59febd

https://img0.etsystatic.com/055/0/9672239/il_570xN.729315700_luza.jpg

https://upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Nestor_Redondo_%281118250566%29.jpg/1024px-Nestor_Redondo_%281118250566%29.jpg

Dart with Destiny Tenth (and Last) Page

Dart with Destiny with Deftbeck (writer) and myself (the artist)

After much time, I've finally done it. I finally finished this comic that I've been working on for awhile now with Deftbeck. I forgot when I started but it's been at least one academic year and a couple months at the very least but damn it, it's finally done. I can move on to other projects now, which I've actually kinda started. In all honesty, I'm not done with Deft's thing. I still have to redo a few panels that are too off or update the style deviation to the later pages or even out the style of the comic with the first few pages. Yet, that is all secondary for the illustration proper is done. That's the important bit.

The tenth and final page. Note the heavy usage of opaque white ink. My backgrounds have also degraded. Where I once had a decent grasp of single-point perspective and two-point perspective, I'm barely even managing to do flat, 2D backgrounds. Mignola was, of course, my muse and my rescue.

Hot Boss Sitcom has its First Piece of Fanart

I did a small sketch for someone with a fantastic new concept from a Discord
server I frequent. He asked for a link he can link the credit to and so I gave him the link to this place, as dead as it is due to my final semesters in university killing much of my free time. That little prod of his brought this place back to my attention and... well... it does seem appropriate to come back here and give it the attention it needs again. Now on to the art.

Corey Thompson, the other main character of the Hot Boss Sitcom tumblr project

The blog where I based this little sketch off of and where the stories will likely go

Inktober Day... Fifteen?

Doing something a bit different today, three little sketches. Two are 20-25 minute studies with a pencil and the other is a little brush-and-ink sketch.

I've used a bit more hatching and took my time with these drawings, getting in that serious mood of drawing again, remove the cobwebs I've seemed to develop.

Close up of the left-most one.

The source photographs. Iunno where i got them, I just know I have these from some folder in my laptop called "Hyperangle".

Inktober Day Twelve

Inktober Day Ten

A bit more effort than the usual Inktober.

Inktober Day Nine

Welp. I lost a day. I was just too lazy. Sorry.

Jeez, I've gotten lazy.

Ghastly feet. Sheesh.

Inktober Day Seven

Neigh

 

Inktober Day Six

 Hello, hello. Day six has rolled by and I haven't missed a day yet. Excellent.

I don't think I'll continue mixing heavy brushwork with fine lines. Too much of a clash. Still iffy on fine lines with chunky marker-like lines, we'll see in the black-and-white scans of my current project. Maybe it just looks like trash on paper. Certainly not the first time that's happened.

Inktober Day 5

Felt like I jobbed this one. The foreshortening and perspective are off, I could have fixed it but I didn't really feel like it. My fault, really. Apparently, my gestures have been quite stiff and well... crap as of late. I should work on that. Comments such as that are expected, I haven't been able to really work on my art lately. It's sad. Oh well... I'll work on it. Will I be able to do it during school time, on my last year with all of its horrors? We'll see.

The first pic was a bit of an homage to Wrightson, Gilbert Hernandez and Alex Toth. I was thinking of them when I drew those. The second was just a fun little character sketch in honor of Kirby with some Mignolan effects (psst, look at the feet).

 

Said inspirational pics that informed how I drew these at the very back of my head.

Sorry for the crappy quality on this one, there just aren't any good scans of this thing on google and I'm too lazy to fish out an e-book version and extract that for this. Hopefully Toth's inks on Infantino here are noticeable enough to feel where I'm coming from though.

Inktober Day Four

WHOOPS! Forgot to upload these yesterday. My bad! Prompts coming from the usual sources. Will post Day 5 later.

Inktober Day Three

Day Three of Inktober, I now use both Jay Parker's prompts as well as this new one I've found. I found it in a Discord group I'm a part of. It's not bad.

With the Jay Parker prompts as well as this one in consideration, I drew something relating to poison as well as one about a banshee. Here you go.

Decided to be more symbolic, kinda superficially, with this one. Search for "Amorsolo Ginebra" on whatever search engine you want and you might understand. It's really not that hard.